A brush with death

What began as a slow crackle accelerated into a total misalignment. The pieces that collectively created a magnificent archway were no longer in harmony. The vaulted roof gave way and collapsed with a deafening roar onto the airport terminal below.

Had our red-eye from New York arrived thirty minutes late, had my companion and I lingered longer in the glorious new structure, admiring its breathtaking beauty in the early morning light, silent like a cathedral, we might have been buried under its rubble. Instead we were already through customs, already at baggage claim, delirious from jet-lag and thinking about the long week ahead. If there was any large sound or rumbling, or panic from the airport staff, it went unnoticed as a town car whisked us off to Paris.

Only after an opulent breakfast at the Four Seasons, once we had settled into our new office down the street, did I discover the news. Several dead, numerous injured at Charles de Gaulle. Terminal 2E had barely been finished a year before it catastrophically failed. We were just there.

My companion shrugged it off. The disaster didn’t affect him, didn’t alter his course—he had a movie to get off the ground.

But I never stopped thinking about it, days and years later—reading about the unlucky victims, the forensic investigation, the charges of involuntary manslaughter, the razing and rebuilding. The more I thought about it, the more it seemed that the world quickly forgot. Or didn’t notice at all.

It was twenty years ago today.

Last year my family had an early flight out of Terminal 2E, waiting in the exact place where everything went down. The new structure echoed the magnificence of the original. My kids ran around, watching airplanes on the tarmac. I sat and took it all in, perhaps the only person in the building who could still see the ghosts, still wondering “what if.”

12 Feb 1997

Thousands of short, silent, colorless, 16mm films have been shot in Washington Square Park. The majority are projected a few times before disappearing into a box or a landfill. 

This is mine, which comically pits two NYC archetypes against each other.

Filmed on 12 February 1997, the day might have been forgotten if not for what happened after returning the camera rig. I sprinted over to Astor Place to catch the tail end of a bizarre press conference—my favorite rock band announcing their new tour inside the KMart lingerie department. Only in New York.

Memorabilia from the day

The reluctant warrior

In hindsight, his words ring hollow, but to a boy easily seduced by the deceptive excitement of war, it was a thrill to receive a personal reply from the military’s highest ranking officer.

I wrote to Colin Powell (then Chairman of the Joint Chiefs of Staff) for a middle school journalism assignment. The 1991 US-Iraq war was about to escalate, and I was thrilled to experience it from my protective suburban American bubble. Big stories require big sources, so I aimed high and unexpectedly succeeded.

“I have no good feelings about war,” he wrote. “It’s unpredictable, brutish, deadly, and diverts resources that could be used for other things. But that said, there are some things that can only be resolved by war.”

It’s difficult to imagine him retaining those feelings in 2003, when, as Secretary of State, he presented the case to return to Iraq under flimsy pretenses—a war that ultimately wasted vast amounts of money and lives and created more problems than the fruitless one it intended to resolve.

Despite my disappointment in his leadership, I remain eternally grateful that someone so instrumental in managing global affairs had taken the time to reply to an inquisitive kid. If anything, General Powell taught me to distrust calls for war, even when they come from a seemingly reluctant warrior.

Read the full letter below:

Letter from Colin Powell, 25 Jan 1991.

Letter from Colin Powell, 25 Jan 1991.